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Andrew didn't do it like that of course. If i turn the saber to a 3d layer (yeah, i know, that's not a proper workaround because it's not intended to work like that.) it works but it produces crappy quality (surprise surprise). Saber doesn't, which is also sad in the tutorial but how do i manage that the mask on the saber-layer works together with the camera? i don't wan't to 'fake' volumetric saber like explained in 14:00, i just want it to go along with the camera. Use the plugin to create advanced smoke and atmosphere effects, with all the ease and features of controls that saber already provides.The 'Blend on top' checkbox under the core distortion seems very close the mark I thought - but unfortunately - this still retains the visibility of the distorted core but doesn't seem to allow to hide it completely.What would be brilliant is to have the ability to use the saber effects of just the glow and noise.Perhaps this is an easy thing to implement and could be a feature of an update soon Mr Kramer? :-)Once again - it is an amazing tool, so many thanks for all the the efforts!I'm a bloody noob and just started working with after effects itself so there's a good chance that it's just a basic think which i don't know about but.I'd really like to know how Andrew did the comp at 16:45 of the tutorial with the CORE-Logo build inside E3D.If i build a logo inside E3D from a text layer, add a second solid with saber and change the core type to text layer (layer mask won't help either if i create a mask from the textlayer before) and change the position of the camera, the e3d-layer will go with it because it supports 3d space. I am looking for a way to completely disable the core visibility to do exactly what was Pilcha suggested. To Do This, Mac Shortcut Key, Windows Shortcut Key.I just wanted to know if AE will treat the digital 2D circle shape in the same way when footage is brought into AE and 2D camera tracked.Thank you all for your thoughts and comments.Yes, I have watched the introductory tutorial and was aware of the plugin's feature and ability to use the 'Mask Core' alpha mode under the render settings.This is certainly a great feature - but not exactly what I'm after.I think Pilcha got it.

I'm not sure what you mean when you say you used to use h264 and now you use MP4. The rest of the video also has lots of flares but just like in your case, since there's lots of action going on, the banding is not as noticeable.Anyhow, thanks for sharing tips and experience. Have a look at the intro here (the first 12 seconds) I delivered an animation file (they wanted a master copy) which was pretty decent, but once uploaded onto vimeo, it just went beserk. My main issue with banding is its combination with online compression which leads to those unwatchable pixel splotches.

Though we don't know where we're going, though it can be dark, though it can be stormy, we always have our co-pilot. Here's to another decade of flight through the crazy skies of creativity. It was a touching moment because it showed that you really cared about the people who were watching and willing to learn, and were eager to help them succeed with no apparent benefit to yourself.And that Andrew Kramer is exactly the same today, making tutorials and releasing plugins like Element that you could easily charge $700 for, or Saber (free!), not because of some business strategy or PR move but because you genuinely love this work and want to help others succeed just like you've succeeded.I'm honored to have been with you for nine of those 10 years, growing, improving, and evolving right alongside you. You've shaped trends in graphics, videos, films and TV, and it has probably seeped into general pop-culture at times as well.In the Boujou section of the meteor tutorial, I remember you discussing how it's beneficial to know how the software works even if you don't want to drop $10,000, since you might encounter it if you get a job at a studio somewhere. You've no doubt created countless careers and inspired millions of people (me included), and all along the way with an attitude that is positive, productive, creative and helpful. So I'm not sure what settings you use to encode your final exports, but if you wish to share them, I'd be glad to test them out.I really appreciate everything that you and Video Copilot have done for the community, and indeed the industry as a whole.

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